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關(guān)于納丁·戈迪默的名人名言哲理格言警句語(yǔ)錄 - 每日文摘
納丁·戈迪默 1991年獲諾貝爾文學(xué)獎(jiǎng)

納丁·戈迪默（Nadine 'Gordimer，1923年11月20日–2014年7月13日），南非女作家，主要作品有小說(shuō)《七月的人民》《無(wú)人伴隨我》。1991年，作品《七月的人民》獲諾貝爾文學(xué)獎(jiǎng)。

作家的功能不是解決問(wèn)題，而是正確地陳述問(wèn)題。
The function of the writer is not to solve the problem but to state the problem correctly.
The function of the writer is not to solve the problem but to state the problem correctly.
作家的功能不是解決問(wèn)題，而是正確地陳述問(wèn)題。
我天生不是一個(gè)政治人物。我不認(rèn)為作家應(yīng)該是政治人物。但在南非，你無(wú)法將政治排除在你的生活之外。
I am not a political person by nature. I don't think writers should be political persons. But in South Africa, you can't keep politics out of your life.
I am not a political person by nature. I don't think writers should be political persons. But in South Africa, you can't keep politics out of your life.
我天生不是一個(gè)政治人物。我不認(rèn)為作家應(yīng)該是政治人物。但在南非，你無(wú)法將政治排除在你的生活之外。
站在一旁與完全參與之間的張力；這就是造就作家的原因。
The tension between standing apart and being fully involved; that is what makes a writer.
The tension between standing apart and being fully involved; that is what makes a writer.
站在一旁與完全參與之間的張力；這就是造就作家的原因。
我們必須找到一種方式來(lái)慶祝我們的多樣性，并在不分裂我們社區(qū)的情況下辯論我們的分歧。
What we have to do is find a way to celebrate our diversity and debate our differences without fracturing our communities.
The creative act is not pure. History evidences it. Sociology extracts it. The writer loses Eden, writes to be read and comes to realize that he is answerable.
創(chuàng)作行為并不純粹。歷史證明了這一點(diǎn)。社會(huì)學(xué)提取了它。作家失去了伊甸園，寫(xiě)作是為了被閱讀，并逐漸意識(shí)到他是需要負(fù)責(zé)的。
作家是被他的主題所選擇的——他的主題是他自己時(shí)代的意識(shí)。
A writer is selected by his subject—his subject being the consciousness of his own era.
I never think of the future. It comes soon enough.
我從不考慮未來(lái)。它來(lái)得已經(jīng)夠快了。
寫(xiě)作是理解生活的方式。你一生都在努力，也許你只理解了生活的一小部分。
Writing is making sense of life. You work your whole life and perhaps you've made sense of one small area.
對(duì)于那些經(jīng)歷過(guò)審查的人來(lái)說(shuō)，審查從未結(jié)束。它是想象力上的烙印，永遠(yuǎn)影響著那些遭受過(guò)它的人。
Censorship is never over for those who have experienced it. It is a brand on the imagination that affects the individual who has suffered it, forever.
Censorship is never over for those who have experienced it. It is a brand on the imagination that affects the individual who has suffered it, forever.
對(duì)于那些經(jīng)歷過(guò)審查的人來(lái)說(shuō)，審查從未結(jié)束。它是想象力上的烙印，永遠(yuǎn)影響著那些遭受過(guò)它的人。
我們必須找到一種方式來(lái)慶祝我們的多樣性并辯論我們的分歧，而不分裂我們的社區(qū)。
What we have to do is find a way to celebrate our diversity and debate our differences without fracturing our communities.
What we have to do is find a way to celebrate our diversity and debate our differences without fracturing our communities.
我們必須找到一種方式來(lái)慶祝我們的多樣性并辯論我們的分歧，而不分裂我們的社區(qū)。
創(chuàng)作行為并不純粹。歷史證明了這一點(diǎn)。社會(huì)學(xué)提取了它。作家失去了伊甸園，寫(xiě)作是為了被閱讀，并最終意識(shí)到他不對(duì)任何人負(fù)責(zé)。
The creative act is not pure. History evidences it. Sociology extracts it. The writer loses Eden, writes to be read and comes to realize that he is answerable to no one.
The creative act is not pure. History evidences it. Sociology extracts it. The writer loses Eden, writes to be read and comes to realize that he is answerable to no one.
創(chuàng)作行為并不純粹。歷史證明了這一點(diǎn)。社會(huì)學(xué)提取了它。作家失去了伊甸園，寫(xiě)作是為了被閱讀，并最終意識(shí)到他不對(duì)任何人負(fù)責(zé)。
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